The people who actually made the show, animators, voice actors, and writers do not get money based on your crunchy rolls subscription, and those production committees that do get money, didn’t make the shows, they just initially financed them.
Assuming the show is based on a manga or light novel, the original artist/writer might if they were lucky enough to negotiate shares in the production committee, but most are not in a position to do so.
For me, what matters, is that the people who made the art get compensated fairly, that they are able to live a good life. That people are encouraged to make art by my consumption of it, and the current system doesn’t do that. It’s a horrific exploitative machine where purchase reward further exploitation of the people who actually put work and effort in to make the art.
I don’t think there’s an industry on earth where it’s normal for the low-level workers to be paid directly when the customer buys something. It being filtered through a bunch of business stuff is the norm everywhere I’m afraid.
The people who actually made the show, animators, voice actors, and writers do not get money based on your crunchy rolls subscription, and those production committees that do get money, didn’t make the shows, they just initially financed them.
Assuming the show is based on a manga or light novel, the original artist/writer might if they were lucky enough to negotiate shares in the production committee, but most are not in a position to do so.
For me, what matters, is that the people who made the art get compensated fairly, that they are able to live a good life. That people are encouraged to make art by my consumption of it, and the current system doesn’t do that. It’s a horrific exploitative machine where purchase reward further exploitation of the people who actually put work and effort in to make the art.
I don’t think there’s an industry on earth where it’s normal for the low-level workers to be paid directly when the customer buys something. It being filtered through a bunch of business stuff is the norm everywhere I’m afraid.
Residuals are standard in the American film/TV industry. They are paid a percent of ongoing profits of previous projects they’ve worked on.
Another fairly common practice is ESOPs where over time workers at a company receive shares in the company, and thus dividends.