So an EU-backed distro could be the same. Yes, they would fund maintainers, but their own maintainers, not maintainers of upstream distros.

How much of Ubuntu’s funding goes to supporting debian? I actually don’t know.

I don’t, for example, see Ubuntu listed here: https://www.debian.org/partners/

Well, what better way to embrace FOSS than dismissing the efforts of all the existing distro maintainers? Welcome to the community, guys. Good luck building your cathedral next to the bazaar!

How about they instead work together with the distros and create a way of certifying a distro as gov-ready?

PieDock

Yes, I know, but he said he has to have the Windows version.

AI developers: your copyrighted work is such a small contributor to the AI’s output that copyright doesn’t apply. Also AI developers: but our AI won’t work without it.

OK, but is it really a requirement to improve on what you have? That said, I find the O365 versions better than the native Mac versions, and I would run O365 rather than bother with a VM (plus the Windows license for the VM might outweigh the savings you get from switching from Mac to Linux, unless your employer will pay for it).

How does Requirement 3 work? You have macs, so you must be running the Windows versions in a VM? Obviously you could do that on Linux as well.

But, to be honest, Requirements 1 and 2 say to me that Apple have you heavily locked in, and I think you should recognize that.

If you make a painting now, it wouldn’t be based on those thousands and thousands of paintings since, although you have seen them, you apparently do not remember them. But, if you did, and you made a painting based on one, and did not acknowledge it, you would indeed be a bad artist.

The bad part about using the art of the past is not copying. The problem is plagiarism.

Inspiration is absolutely a thing. When Constable and Cezanne sat at their easels, a large part of their inspiration was Nature. When Picasso invented Cubism, he was reacting to tradition, not following it. There are also artists like Alfred Wallis, who are very unconnected to tradition.

I think your final sentence is actually trying to say that we have advances in tools, not inspiration, since the Lascaux caves are easily on a par with the Sistine Chapel if you allow for the technology? And that AI is simply a new tool? That may be, but does the artist using this new tool control which images it was trained on? Do they even know? Can they even know?

Maybe the AIs should mix their own pigments as well, instead of taking all the other artists’ work and grinding that up.

Unfortunately, there is no guarantee that the leaking process will be the next process to try to allocate memory after you run out. It might actually be your window manager, for example.

The OOM killer is a last-ditch attempt by the OS to keep running, but it is very likely to leave your system in an unstable state.